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Issue 29 Spring 2006 For dowmloadable PDF version click (10Mb)
 
  CONTENTS

  Two Way Traffic? 3

  News in Brief 4

  Letters 6

  Porn Again 8

  Straight to the Point 10

  Springtime for Jules 11

  Fairtrade 12

  Think Global... Act N16 12

  Round the Bend 16  

  The Round House 16

  Market Forces 18

  Broader than Broadway 19   

  Stokey Press Watch 20

  Every Breath You Take 21

  Stoking the Pudding 22

  Arts & Entertainment 24

  Local Music 26

  Daniel Defoe 30

  Queen of Stokey 30

  Open Mic 31

  From a Small Tent in Cuba 32

  You Get Me? 33

  Church Street Trader 34

  Farmers' Market 35

   A Singular man 36

  Looking for Pete 37

  Just Over the Border 38

  Blue Riband 39
  Comedy Candy 39
  Wine 40
  Bagloads of Compost 40
  View from the Lane 41
  Boy in the Clock End 42
  Xword 42

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You get me?

By Georgina Roberts

You’ve seen them around Hackney, chatting with their mates, dropping chicken boxes and playing tinny-sounding Grime through their mobile phones on the bus. This dominant multicultural group has its own language, dress and behaviour, yet society seems unwilling to dignify them with the title of a sub-culture, preferring to opt for the easy associations with the so-called underclass.

Contemporary youth do not all fit into the old-school pigeonholes of known subcultures. There is a variety and sophisticated subtlety in dress today; their styles are distinguishable to each other – but not necessarily to adult society. This look is about uncompromising leisure; the tracksuit replaces the suit as an urban uniform, which is quickly interpreted as scruffy kids.

Active pioneers of new urban sounds, such as Grime and Dubstep, are part of a generation that is growing up creative and ambitious. These kids are motivated, animated and sociable. The majority has more enjoyable things to do, contrary to popular belief, than intimidating old ladies. So why does the presence of this group seem to provoke fear rather than the intrigue usually expressed at Britain’s rich youth culture?

Perhaps this is born of the stigma attached to street wear and the notorious hoodie, which if the scaremongers had their way would have folk running for their gated communities on sight. Instigators of the hoodie/ baseball cap ban have managed to stereotype wearers, creating suspicion in shop staff who according to Neil, 19, from Clapton, treat young hoody wearers ‘like you’re criminals when they have no evidence to support that’. In turn, this has created the kind of controversy that had teens hooded up quicker than you could say Anti-Social Behaviour Order. I’m not suggesting they’re all angels in tracksuits, queuing up to help you off the bus with your shopping, but as usual it is the minority who is actually out on our streets committing crimes. Unfortunately, it is those headlines that are quickly attached to this culture. As with the Teds, Mods and Punks before them, an allegiance to the style and attitude of a movement does not have to endorse the criminal behaviour of the minority.

The popularised hoodie is now seen on everyone from joggers to trendy dads. ‘I have seen many older people wearing hoodies, however I never see anyone look twice at them’ says Paul, 18, from King’s Cross. There is something great about being able to put your hood up and shut the world out, an attribute that holds resonance with teenagers perhaps the most. Clothes can act as our emotional armour, so what seems confrontational to someone else is probably more about conforming, belonging and participating.

Granted, aside from the more commendable hobbies, a cross-section of this sub-culture can also be found swearing, writing on bus windows with marker pens and singing along loudly to their ipods, but surely if they didn’t cause some level of moral outrage, they wouldn’t qualify for the title.


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