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Issue 30 Summer 2006
  CONTENTS

  Church Street Blues

  Stokefest Postponed

  Letters

  News in Brief

  Jules regains Crown

  New Hampstead

  No Respect in Hackney

  The People’s Champion

  Just the Ticket

  Estate Life

  Let’s Get Naked

  Music/Fringe  

  Pink but not Spam

  Tale of Two Towns

  Arts and Entertainment

  Kray Twins

  Book Reviews

  Stokey Press Watch

  Scrap the Gyratory

  Highbury Lows

  Art at the Rochester

  Eating in Newington Green

  Pain in the Neck?

  Clean Streets

  Think Global… act N16

  Stokey Secret

  Girls out Loud

  Yum Yum

  View from the Lane
  Open Mic
  Boy in the Clock End
  Game Boy
  Xword
 
 

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Of course, within the New World Order of east London’s ‘radical transformation’, little pockets of cultural diversity will remain intact, they are after all what makes London such a frightfully exciting place to live in, and, what’s more important, they attract tourists, and tourists, as we all know, are our future prosperity. Just take a little peek at Spitalfields, and if you’re only a Londoner and you don’t like it, you can simply sod off. Well, apart from Fresh & Wild, the corporate big boys haven’t yet moved into Church Street, but look what’s happening to Broadway Market and be warned. It’s the same avaricious landlords and property dealers wreaking havoc there who have got their greedy hands on Church Street (see the fate of the Old Vortex in back issues of N16). But fear not, the Lord Mayor, with a little bit of help from fellow gauleiter John Prescott, has got the answer: Heritage London. It’s safe, sanitised and utterly sterile. Take a look out back of Kingsland Dalston Station, Gillett Square, where the New Vortex is located. Now, for as long as I can remember, short of taking a flight to Lagos, Gillett Square was about as close as you could get to an African experience. Basically it was only a scruffy car park, but day and night it positively buzzed with life: authentic, rough and ready. Hustlers hassled, deals were dealt, beer boozed, weed wafted and the slap of foaming car-clean-leather gave rhythm to the constant babble of banter and laughter. With a less than generous one million pound donation from Prescott (after all, it’s our money he’s playing with) it’s now become one of the Lord Mayor’s ‘Open Spaces For London’, and don’t even think about the loss of Hackney Marshes. Just at the moment the square looks like a bomb site and is probably every bit as dangerous. The Africans have been relocated, but the computer-generated drawings show fountains, trees, tables, chairs and a sparse scattering of humans, some of them, wait for it, black, but not too many. Gentrification is, after all, a primarily white concern. Now you can call Gillett Square urban regeneration if you like, but I’d call it just another piece of cultural/class imperialism. It’s the usual story: we, the people, make it, and then they, the profiteers, take it.

Which, of course, brings us finally to the greatest perk of all: rising house prices, rises of up to a staggering forty-five percent, or so the East Londoner, via Your Move estate agents, informs us. Fantastic, that should get rid of those few blacks in the computer-generated drawings, and what’s more it should put paid to a lot of those wretched cloth-capped, cockle-chewing, roll-up smoking East Enders who so lower the tone of the area. Hey, it might even mean that the rest of us can sell up and move out to trendy Crouch End. But who’d be left to inhabit poor old Stokey? I’ll tell you. Last week I gave Their Profit estate agents a ring and asked them around to do a pricing. ‘Fabulous’, they said almost before stepping inside, ‘it would make a simply wonderful Olympic pied-a-terre. It’s so bijou. There’s going to be a big demand. Media types, sports buffs, you know.’ ‘But isn’t that a bit short term?’ I asked. ‘Climate change? Oilfields running dry?’ they responded glibly. ‘Grab it while you can, it isn’t going to last.’ When they left, an African parking attendant was taking a shot of their natty black Smart estate-agent-carrier with her natty silver digital camera. They’d got the ticket at last, and wasn’t I pleased?

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