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Issue 30 Summer 2006
  CONTENTS

  Church Street Blues

  Stokefest Postponed

  Letters

  News in Brief

  Jules regains Crown

  New Hampstead

  No Respect in Hackney

  The People’s Champion

  Just the Ticket

  Estate Life

  Let’s Get Naked

  Music/Fringe  

  Pink but not Spam

  Tale of Two Towns

  Arts and Entertainment

  Kray Twins

  Book Reviews

  Stokey Press Watch

  Scrap the Gyratory

  Highbury Lows

  Art at the Rochester

  Eating in Newington Green

  Pain in the Neck?

  Clean Streets

  Think Global… act N16

  Stokey Secret

  Girls out Loud

  Yum Yum

  View from the Lane
  Open Mic
  Boy in the Clock End
  Game Boy
  Xword
 
 

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Johnny Come Home
by Jake Arnott

Summer in London 1972. Love and peace have turned to anger and disillusionment. A bombing campaign is taking place in town.

Over at Playland, a gaudy Piccadilly amusement arcade, a rent-boy works the ‘meat rack’. Sweet Thing, an androgynous 17 year-old (‘rent not bent’), is soon drawn into the orbit of Pearson and the bisexual Nina and subsequently moves into the ‘rococo splendour’ of their squat in Stoke Newington. Pearson is on the rebound following the recent suicide of his lover O’Connell. Nina, living up to her nickname Betty Bothways, is sexually confused. Sweet Thing is also in the pay of Johnny Chrome, a Glam pop-star with a penchant for asphyxiation.

Jake Arnott’s new novel goes beyond the eyeliner and sequins to reveal a world increasingly at odds with itself. His blending of fact and fiction worked to glorious effect in his exploration of 60s showbiz/gangsterism The Long Firm and it’s a technique that serves him well in Johnny Come Home. Set against the backdrop of The Angry Brigade’s trial at the Old Bailey, Pearson and Nina are involved on the fringes of the Stoke Newington-based group. Amid references to The Situationists and King Mob, their bombing campaign act as a precursor to the upcoming ‘Paddy War’. The detective on the case, Walker, studies William Blake for clues and is considering taking LSD in an attempt to get inside the heads of the bombers.

Johnny Chrome (echoes of those rockers, such as G*** G*it*er who followed the cash from the 50s onwards) inhabits an era when pop-stars traded happily on their sexual ambiguity. Revealingly, in light of the unmentionable former hit-maker, the novel recognises the link from Larry Parnes’ showbiz ‘boys’ stable in the 50s by way of re-enacting the (vis a vis Jonathan King) scene in Surrey where music industry insiders would ‘groom’ adolescent male fans with the aid of Scotch and coke.

After a slightly faltering start, the novel takes off effortlessly once the scene is set. Fleeting, drug-induced revelations in Piccadilly are described as ‘constellations of somnambulant pleasure’; there’s an almost visceral enjoyment in the language. As with his previous novels, Arnott is perfectly tuned into his subject, revelling in lives lived on the fringes. It’s an entertaining account of an important chapter in London’s counter-culture, which also succeeds in exposing the grime beneath the glitter.

Review by Paul Fitzpatrick
 

Diary of a Provincial Lesbian
By V G Lee

It’s tempting to describe V G Lee as the Barbara Pym of lesbian fiction: both novelists share a fascination with the minutiae of the everyday, the prosaic detail, the clutter of stuff and routine.

So far, so similar – but there the parallels end. Pym’s largely spinster heroines risked frustration and possible embarrassment in their chaste pursuit of a local (male) curate (I simplify, of course, but you get my drift – and there was no nonsense about women priests when Pym was writing). Resigned to a life of denial and restraint, they find quiet satisfaction in acts of kindness and selflessness. They make a lot of tea. They sigh and look away. And they don’t crack jokes.

Margaret, the heroine of Lee’s new novel, cracks them all the time – about other people, at her own expense, in perpetual defiance of ever becoming dull, and as part of her mission to become ‘a new, exciting Margaret’. In the dog days of her 10-year relationship with the duplicitous Georgie, Margaret’s humdrum days in the small seaside town of Bittlesea Bay (aka Hastings) are filled with the excitements of the letters page in the local rag, the demands of an ageing cat, the absence of rigour at her job-share in Tom’s accounting firm, an uncooperative garden and neighbours Dierdre and Martin who, if not from hell, could well be the devil’s spawn on a mission to annoy.

When Georgie decamps – allegedly on a business trip but, in fact, AWOL, and for good – and Tilly the Cat shuffles off her mortal feline coil, Margaret throws herself into community watch, badger protection, dinner parties, self-improvement, aubergine highlights and the problems of dealing with intractable tomato soup stains, determined to be neither a joke nor a whimper. A surly landscape gardener called Janice doesn’t help – at first. Attempts at reconciliation with Georgie fail, serially, but Margaret persists, finally realising that only she can make a difference. With the help of a replacement kitten, of course. And possibly Janice.

Lee probably wouldn’t claim to be the Proust de nos jours, but who cares? She almost certainly doesn’t. While she ain’t no Amis, she chronicles the not entirely blameless lives of friends and family with a wry, laconic and very fond humour, some mostly forgiveable puns, and some laugh-out-loud set-pieces. Those who suspect that their greatest act of militancy this summer will be to flout the hosepipe ban will cherish Margaret’s world – and Lee’s distinctive voice. They’ll probably like most of the jokes, too.

Signed copies of V G Lee’s Diary of a Provincial Lesbian are available from the Stoke Newington bookshop. The book is published by Onlywomen Press.

Review by Anne Beech


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